Georgie Pinn

A series of water based portraits that morph all human races and ages as one. The work explores the notion of water as a metaphor for human emotion based on Jung's philosophy of water as a symbol for our subconscious. This first chapter looks at the emotions of fear and sadness, travelling through the states to joy and trust. These images also exist as short animated portraits where the human faces are distorted and morphing with each other and nature. They also have the potential to be dynamically altered, incorporating the face of the token holder into the artwork. As an exclusive gift, the artist will create just three dynamic works of this nature.

'Ripple #3' is an animated portrait series developed as an iteration of the original work, which is an interactive multi-sensory installation. The original installation was commissioned as a 30-meter projection piece positioned in a reflecting lagoon. The audience was invited to become part of the artwork with immersive technology that captured their face and morphed them with the different states of water, each state representing a different emotion.

Through a touch screen console they were able to change the temperature and manipulate the temperature and weather, in doing so their own image is manipulated, personifying water with the intention to connect with it through empathy. The narrative builds through various chapters; from ice, which represents fear to evolve through to a storm, a flood, the ocean and then ending in vapor which represents trust.

This piece is the first chapter in an animated series that uses AI to take the concept further through the ability to morph through age, race and gender in a seamless animation, combining all humans into one, and highlighting our similarities rather than our differences. The title “Ripple” suggests how all our actions have ramifications as we are all connected.

Georgie's creative works are often animation-driven, multi-sensory installations where the audience interacts through their image and movement, immersing themselves into their own chapter of her work.

As Georgie enters the web3 space she remains loyal to this inclusive approach, offering to recreate 3 new iterations of the work, incorporating the token holder's image into the morphing animation as an exclusive gift she will create just 3 dynamic works of this nature.

Ripple #3

'Ripple #2' is an animated portrait series developed as an iteration of the original work, which is an interactive multi-sensory installation. The original installation was commissioned as a 30-meter projection piece positioned in a reflecting lagoon. The audience was invited to become part of the artwork with immersive technology that captured their face and morphed them with the different states of water, each state representing a different emotion.

Through a touch screen console they were able to change the temperature and manipulate the temperature and weather, in doing so their own image is manipulated, personifying water with the intention to connect with it through empathy. The narrative builds through various chapters; from ice, which represents fear to evolve through to a storm, a flood, the ocean and then ending in vapor which represents trust.

This piece is the first chapter in an animated series that uses AI to take the concept further through the ability to morph through age, race and gender in a seamless animation, combining all humans into one, and highlighting our similarities rather than our differences. The title “Ripple” suggests how all our actions have ramifications as we are all connected.

Georgie's creative works are often animation-driven, multi-sensory installations where the audience interacts through their image and movement, immersing themselves into their own chapter of her work.

As Georgie enters the web3 space she remains loyal to this inclusive approach, offering to recreate 3 new iterations of the work, incorporating the token holder's image into the morphing animation as an exclusive gift she will create just 3 dynamic works of this nature.

Ripple #2

Ripple #1 is an animated portrait series developed as an iteration of the original work, which is an interactive multi-sensory installation. The original installation was commissioned as a 30-meter projection piece positioned in a reflecting lagoon. The audience was invited to become part of the artwork with immersive technology that captured their face and morphed them with the different states of water, each state representing a different emotion.

Through a touch screen console they were able to change the temperature and manipulate the temperature and weather, in doing so their own image is manipulated, personifying water with the intention to connect with it through empathy. The narrative builds through various chapters; from ice, which represents fear to evolve through to a storm, a flood, the ocean and then ending in vapor which represents trust.

This piece is the first chapter in an animated series that uses AI to take the concept further through the ability to morph through age, race and gender in a seamless animation, combining all humans into one, and highlighting our similarities rather than our differences. The title “Ripple” suggests how all our actions have ramifications as we are all connected.

Georgie's creative works are often animation-driven, multi-sensory installations where the audience interacts through their image and movement, immersing themselves into their own chapter of her work.

As Georgie enters the web3 space she remains loyal to this inclusive approach, offering to recreate 3 new iterations of the work, incorporating the token holder's image into the morphing animation as an exclusive gift she will create just 3 dynamic works of this nature.

Ripple #1

This work uses generative live animation software to explore the pulsing data of the natural world and reinterpret it into a breathing 3D landscape. Through analysing the luma key values of ocean waves mixed with tidal data converted into LFO waves I was able to extrude the 3D depth of water so that it becomes almost human, twitching and pulsing as if trying to connect emotionally. 

The solarized treatment of the palette then enhances the variation between light and shadow. This interactive system was used to create the potential for live audience interaction of the original installation 'Ripple', where instead of manipulating itself, it displaces the human portrait. The placebo of seeing ourselves melded with water aims to elicit empathy for water and create a deeper emotional connection to ourselves and our environment.